“In the place where dialogues and words usually end, the dialogues of this film only begin. That’s when they go deeper, so deep that, amazed and troubled, we ask ourselves: How much deeper can it go? The words of Hamaguchi are substance, music, material.
At first it looks almost minor: a man and a woman, sometimes two women, stand in a room with white walls. Then the scene moves forward, and as it advances you feel that the whole universe, including yourself, is standing there with them inside this simple room.”