2025 | Forum
What's Next?
Innovative, idiosyncratic, experimental and unconventional: The films of the Forum
© Stefan Hayn
Davit Beybutyan
© Mankazar Film
Yael Eisenberg
Batim | Houses
© Yaniv Linton
Han Ye-ri, Kim Seol-jin
Bombam | Spring Night
© Cinema DAL
© Cadet
Chas pidlotu | Time to the Target
© Chas pidlotu
Nayibe Tavares-Abel
Colosal | Colossal
© Cinema Costanera / Media Jibara
© Lee Anne Schmitt
Das falsche Wort | The Lie
© Filmmuseum München
Melissa Gan, Emmanuelle Mattana
© Excellent Friends & Future Success PTY LTD
Guochang | Fruit Farm
© Nana Xu
Yehuda Beinin
Meridian Hill Pictures © 2025
Edna de Cássia
Iracema, uma transa amazônica | Iracema
© Archive Jorge Bodanzky IMS
Janine Lear
Janine zieht aufs Land | Janine Moves to the Country
© Eilhardt Productions
Lenn Kudrjawizki
Der Kuss des Grashüpfers | The Kiss of the Grasshopper
© Borris Kehl
© James Benning, 2025. Courtesy the artist and neugerriemschneider, Berlin
Vibeke Løkkeberg
The Long Road to the Director’s Chair
© bpk/Abisag Tüllmann
La memoria de las mariposas | The Memory of Butterflies
© Miti Films / Community of Puerto Millán-La Chorrera
Tamara Stepanyan in the film "Games"
Mes fantômes arméniens | My Armenian Phantoms
© Edgar Baghdassaryan
Aline Amike
© Imitana Productions
Sabina Bakaeva
Nagota | Nudity
© Sabina Bakaeva, Tashkent Film School, Ateliers Varan
Palliativstation | Palliative Care Unit
© Philipp Döring
Celeste Torres, Maritza Kategari
© J.D. Fernández Molero
© Queer As Punk
Milan Kovačević, Vera Hrćan Ostojić
Restitucija, ili, San i java stare garde | Eighty Plus
© Playground produkcija
© Coskun Aral
© Mooyoung Kim
Shinagani gazapkhulebis q’vaviloba | Inner Blooming Springs
© Tiku Kobiashvili
© GossingSieckmann / filmfaust / Kochmann
Monika Schurmann
Stolz & Eigensinn | Pride & Attitude
© realistfilm
Viachaslau Kmit
© Yuri Semashko
Kurt Hsiao
© Jing Moving Image
© 2024 trixta
Unsere Zeit wird kommen | Our Time Will Come
© Courtesy sixpackfilm
Dileesh Pothan, Achyut Kumar
Vaghachipani | Tiger’s Pond
© Flip Films - Kadalivana
Siena Popović, Jessica Paar
Wenn du Angst hast nimmst du dein Herz in den Mund und lächelst | If You Are Afraid You Put Your Heart into Your Mouth and Smile
© Nikolaus Geyrhalter Filmproduktion
© Cao Yiwen
When Lightning Flashes Over the Sea
© Blue Monticola Film
The Forum is and remains the section for innovative, idiosyncratic, experimental and unconventional forms of cinematic expression. It offers auteurs and independent artistic works a forum (nomen est omen) beyond the cultural Bermuda Triangle of commerce, spectacle and escapism. The 31 films in the main programme, which enter into dialogue with the eight films in the “Open Wounds, Open Words” Forum Special, aim to expand the idea of what cinema was and is, and what a festival can be. The texts about the selected films and the conversations and discussions before and after the screenings are at the core of the Forum’s programming and our concept of the section. Together with the filmmakers and audiences, we want to voyage to the edges of the familiar and open up perspectives from which film culture – including that of the past and, prospectively, the future – can be understood afresh and placed into a new relationship with the world around us.
This year, the Forum’s films come from six continents and face a world and its people that are in a bad way. They encounter wounded souls trapped between ice-cold systems and brutal regimes, seeking warmth and kinship – from Cadet, a hard-hitting work about a cadet school in Kazakhstan that combines the post-horror genre with the post-Soviet present, to the queer Janine, who experiences tenderness but also hostility in the German countryside (Janine zieht aufs Land (Janine Moves to the Country)) and SIRENS CALL, a breathtakingly experimental sci-fi documentary road trip that follows the merfolk subculture.
SIRENS CALL by Miri Ian Gossing and Lina Sieckmann
Alongside this hybrid feature film debut, there are a remarkable six other feature-length fiction and four documentary debuts in the Forum’s main programme this year. They include the atmospherically rich and sensually affecting Minimals in a Titanic World, which takes us into the Rwandan club scene, the Australian female buddy movie Fwends and the Austrian Wenn du Angst hast nimmst du dein Herz in den Mund und lächelst (If You Are Afraid You Put Your Heart into Your Mouth and Smile). Under the title of “young and brave”, three fresh and critical student works in the Forum Special’s short film programme reveal what it means to start making films in politically, socially and economically vulnerable places. The works are complemented by the panel discussion “The Way Home – Speaking Openly. The Young Generation and Filmmaking in Georgia and Uzbekistan”.
Eighty Plus by Želimir Žilnik
Staying true to another of the Forum’s traditions, documentary forms make up around half of the programme. They take us from Saxony and Franconia, Berlin and Vienna, via war-torn Lviv (Chas pidlotu (Time to the Target)) and Odessa to a Turkey of the 1980s dominated by the military, the oral cultures of the Italian regions and environmental clean-up areas and neo-conservative think tanks in the USA. They turn the camera on South Korean anti-communist imagery and Armenian cinematic landscapes, Japanese cave refuges, the Malaysian queer punk scene, the ballot boxes of the Dominican Republic and the rubber plantations of colonial Peru. These films, as well as the Forum Special, reveal the (often unrealised) emancipatory potential of younger generations, both in the past and today. But the old guard is also represented: in his latest essay film little boy, James Benning looks back into the past to warn about the future. And we have the Golden Bear winner from 1969, Želimir Žilnik, whose docu-fiction is simply called Restitucija, ili, San i java stare garde (Eighty-Plus).
Exploring the diversity of cinematic forms, the 55th Forum presents contemporary film as a rekindling of humanity, an interrogation of the status quo and a seismograph of our time – satires on dictators and reflections on AI included. What’s Next?
The 2025 programme of Forum and Forum Special
Forum Selection Team 2025:
Wellington Almeida, Irina Bondas, Christiane Büchner, Jesse Cumming, Jutta Doberstein, Sebastian Fischer, Feven Haile, Rebecca Heiler Ciraudo, Anna Hoffmann, Birgit Kohler, Yuliia Kowalenko, Asja Makarević, Luciano Monteagudo, Afsun Moshiry, Lisabona Rahman, Igor Soukmanov, Srikanth Srinivasan, Fabian Tietke, Carolin Weidner, Katja Wiederspahn, Barbara Wurm
Forum Special Team 2025:
Gaby Babić, Christiane Büchner, Fabian Tietke, Gary Vanisian, Barbara Wurm