
Irm Herrmann, Brigitte Mira, Rainer Werner Fassbinder, Ingrid Caven und Laurens Straub (v.l.n.r.) bei der Präsentation von ANGST ESSEN SEELE AUF in Cannes 1974
GEGENSCHUSS - Aufbruch der Filmemacher | Reverse Angle - Rebellion of the Filmmakers by Dominik Wessely
DEU 2007, Berlinale Special

Hark Bohm, Rainer Werner Fassbinder, Bernhard Wicki und Rudolf Augstein (v.l.n.r.)
GEGENSCHUSS - Aufbruch der Filmemacher | Reverse Angle - Rebellion of the Filmmakers by Dominik Wessely
DEU 2007, Berlinale Special

Irm Herrmann, Brigitte Mira und Rainer Werner Fassbinder (Bildmitte) auf der Treppe zum alten Festival-Palais in Cannes 1974
GEGENSCHUSS - Aufbruch der Filmemacher | Reverse Angle - Rebellion of the Filmmakers by Dominik Wessely
DEU 2007, Berlinale Special

Christian Friedel, Hark Bohm, Uwe Brandner, Michael Fengler, Hans Noever, Peter Lilienthal, Wim Wenders, Laurens Straub, Helma Sanders-Brahms, Veith von Fürstenberg, Thomas Schamoni (v.l.n.r.)
GEGENSCHUSS - Aufbruch der Filmemacher | Reverse Angle - Rebellion of the Filmmakers by Dominik Wessely
DEU 2007, Berlinale Special

Volker Vogeler (liegend) dahinter: Hark Bohm, Renate Kapuste, Christian Friedel und Thomas Schamoni letzte Reihe: Klaus Brücher-Herpel, Michael Fengler, Laurens Straub und Harry Baer
GEGENSCHUSS - Aufbruch der Filmemacher | Reverse Angle - Rebellion of the Filmmakers by Dominik Wessely
DEU 2007, Berlinale Special

Dominik Wessely
GEGENSCHUSS - Aufbruch der Filmemacher | Reverse Angle - Rebellion of the Filmmakers by Dominik Wessely
DEU 2007, Berlinale Special
GEGENSCHUSS tells the story of this unusual collective of auteurs – from its beginnings in Munich during the 1960s, to the international successes at Cannes and the disintegration of the group in 1977. This film is a portrait of an artistic community – and a generation. For the struggle of a small group of independent young filmmakers for self-determination in the face of the hegemony of an older generation of financially solvent producers, was in fact a conflict between the first post-war generation in Germany and their fathers, who had learned their craft working for the film industry during the Third Reich. Filmmakers Laurens Straub, who died in 2007, and Dominik Wessely interweave interviews, film excerpts and hitherto partially unpublished archive footage to tell the story of the rise and fall of this organisation in a film that has all the ingredients of a big screen drama: friendship, success, jealousy, destruction and death.
World Sales
Kinowelt International GmbH
Additional information

Reverse Angle - Rebellion of the Filmmakers
A group photo of old fellows at the premiere of the documentary Reverse Angle – Rebellion of the Filmmakers that initiated a special series at the Berlinale 2008.
GEGENSCHUSS - Aufbruch der Filmemacher · Berlinale Special · Feb 11, 2008

Irm Herrmann, Uwe Brandner, Dieter Kosslick
On the premiere night of the documentary Reverse Angle - Rebellion of the filmmakers: Irm Herrmann, Uwe Brandner, Dieter Kosslick.
GEGENSCHUSS - Aufbruch der Filmemacher · Berlinale Special · Feb 11, 2008

Reverse Angle - Rebellion of the Filmmakers
Old fellows meet on the premiere night of Reverse Angle - Rebellion of the filmmakers: Michael Fengler, Hans Noever, Dan Talbot (in the background), Uwe Brandner, Irm Hermann, Hans W. Geißendörfer and the director of the documentary Dominik Wessely.
GEGENSCHUSS - Aufbruch der Filmemacher · Berlinale Special · Feb 11, 2008