Zentralflughafen THF | Central Airport THF
Panorama 2018
DEU/FRA/BRA 2018
by: Karim Aïnouz
Zentralflughafen THF | Central Airport THF
Panorama 2018
DEU/FRA/BRA 2018
by: Karim Aïnouz
Zentralflughafen THF | Central Airport THF
Panorama 2018
DEU/FRA/BRA 2018
by: Karim Aïnouz
Zentralflughafen THF | Central Airport THF
Panorama 2018
DEU/FRA/BRA 2018
by: Karim Aïnouz
Zentralflughafen THF | Central Airport THF
Panorama 2018
DEU/FRA/BRA 2018
by: Karim Aïnouz
Karim Aïnouz
[...]
Zentralflughafen THF | Central Airport THF
Panorama 2018
DEU/FRA/BRA 2018
by: Karim Aïnouz
Feb 17, 2018 | Paz Lázaro, Karim Aïnouz [...]
Feb 17, 2018Paz Lázaro, Karim Aïnouz
The head and curator of the Panorama section and the director at the premiere.
Panorama – Zentralflughafen THF | Central Airport THF
Feb 17, 2018 | Qutaiba Nafea, Karim Aïnouz, Ibrahim Al Hussein [...]
Feb 17, 2018Qutaiba Nafea, Karim Aïnouz, Ibrahim Al Hussein
The director (in the middle) and the protagonists at the Press Conference.
Panorama – Zentralflughafen THF | Central Airport THF
Qutaiba Nafea (Protagonist), Karim Aïnouz (Director), Ibrahim Al Hussein (Protagonist)
Moderation: Margarita Tsomou
Tempelhof Airport in Berlin is Europe’s largest heritage building. It became a symbol of both National Socialist self-aggrandisement as well as of freedom during the airlift of 1948/49. Since autumn 2015 several hangars have been providing temporary shelter for refugees. Like the other 2,000 people here who have fled their homeland, Ibrahim from Syria and Qutaiba from Iraq dream of being able to make a new start. Full of hope, they work with translators, doctors, language teachers and job agents to prepare for life in their new German home. The lack of private space and communication and administrative barriers are some of the challenges they face while, on the nearby recreation area of Tempelhofer Feld, Berliners and tourists escape their daily routine. Chaos and harmony: two very different worlds in one place.
Karim Aïnouz spent a year following these men in search of a place they can call home. The film’s sensitive and well-composed images capture their lives that are shaped by uncertainty, stress and anguish, but also jollity and aspirations. The building’s architecture and the changing seasons add a surreal dimension. A portrait of a city within a city that is also a snapshot of Europe caught between utopia and crisis.
by
Karim Aïnouz
Germany / France / Brazil 2018
Arabic, English, German, Russian
Documentary form97’ · Colour
World premiere
Born in Fortaleza, Brazil in 1966, he studied architecture in Brasilia and film at NYU before completing the Independent Study Program at the Whitney Museum of American Art. He was assistant director to Todd Haynes, worked on over 20 films as an editor and has been directing his own films since 1992. In 2014 his film Praia do Futuro screened in the Berlinale Competition while Cathedrals of Culture, which he co-directed, screened in the Berlinale Special programme.
Filmography (selection)1992 O Preso; short film 1993 Seams; documentary 1994 Paixão Nacional; short film 1998 Le Ballon de Bairros; documentary 2002 Rifa-me; short film · Madame Satã (Satã) 2003 Hic Habitat Felicitas 2006 O Céu de Suely (Suely in the Sky) 2009 Viajo Porque Preciso, Volto Porque te Amo (I Travel Because I Have to, I Come Back Because I Love You) 2011 Sunny Lane; short documentary · O Abismo Prateado (The Silver Cliff) 2013 Venice 70: Future Reloaded 2014 Praia do Futuro; Competition · Cathedrals of Culture; Berlinale Special · Diego Velazquez oder ungeschminkter Realismus; documentary 2018 Zentralflughafen THF; documentary, Panorama
Bio- & filmography as of Berlinale 2018

Lupa Film
Luxbox