Brainwashed: Sex-Camera-Power

Since 2017, #MeToo and the no-longer-covered-up abuse of countless women by Harvey Weinstein have called many things into question in the film industry. This documentary analysis of the male gaze in cinema is based on Nina Menkes’ lecture “Sex and Power: The Visual Language of Oppression”. In it, Menkes uncovers patriarchal narrative structures that lie behind supposedly classic set-ups and camera angles. Making use of feminist film theorist Laura Mulvey’s theses on the objectification and sexualisation of the female body, she shows how aesthetic decisions such as camera movement or lighting influence the perception of women on screen, and how shot design functions as an instrument and a mirror of power relations. In doing so, she determines a connection between established film language and a culture of misogyny that leads to the abuse of women beyond the screen. Her individual analyses of scenes from 120 years of film history demystify many a cult film in the independent canon – because the film language that has been shaped by the patriarchy pervades more than just Hollywood cinema.
by Nina Menkes
with Rosanna Arquette, Julie Dash, Maria Giese, May Hong HaDuong, Catherine Hardwicke, Eliza Hittman, Laura Mulvey, Maya Montanez Smuckler, Joey Soloway, Dr. Kathleen Tarr, Charlyne Yi
USA 2022 English 107’ Colour & Black/White Documentary form


  • Rosanna Arquette
  • Julie Dash
  • Maria Giese
  • May Hong HaDuong
  • Catherine Hardwicke
  • Eliza Hittman
  • Laura Mulvey
  • Maya Montanez Smuckler
  • Joey Soloway
  • Dr. Kathleen Tarr
  • Charlyne Yi


Director Nina Menkes
Cinematography Shana Hagan
Editing Cecily Rhett
Music Sharon Farber
Sound Design John Polito, Michael Stern
Make-Up Claire Magnus Gonella
Production Manager Jim Rosenthal
Producer Nina Menkes
Creative Producers Inka Rusi, Cecily Rhett
Executive Producers Tim Disney, Susan Disney Lord, Abigail Disney
Co-Producers Maria Giese, Guo Guo, Summer Xinlei Yang, Sandra de Castro Buffington

Nina Menkes

The filmmaker graduated with an MFA in film production from UCLA in 1989, has received Fulbright Research Awards to the Middle East and is a member of the film faculty at the California Institute of the Arts. Her films have screened at international festivals including Sundance, Cannes (ACID), Rotterdam, Locarno and Toronto. Her documentary Massaker, for which she was also cinematographer, premiered at the Berlinale and won the FIPRESCI Award. Her 1996 feature film The Bloody Child was selected as one of the best films of the past fifty years by the Vienna International Film Festival in Austria.


1983 The Great Sadness of Zohara; medium-length film 1986 Magdalena Viraga 1991 Queen of Diamonds 1996 The Bloody Child 2005 Massaker; documentary, co-directors: Monika Borgmann, Lokman Slim, Hermann Theissen 2007 Phantom Love 2012 Dissolution 2022 Brainwashed: Sex-Camera-Power; documentary

Bio- & filmography as of Berlinale 2022