Warnungen an die ferne Zukunft

Warnings to the distant future
The future of humanity’s precarious legacy is discussed in relation to issues of location in an endless online conference with 122 participants from civil society. The experts all agree: stones are more reliable than politics. A partly three-dimensional film about the search for the German-German nuclear waste repository, between warning signs, feedback loops and communication problems, glowing flocks of birds and the area between sign and object. A peace steamship cruises among Moselle vineyards – past the NATO nuclear weapons base, past missed climate goals. The Last Generation and the one before that do not meet. “We’re in a climate catastrophe. Does it take mashed potatoes on a painting for you to listen?” A praying mantis transformed into a stereoscopic pre-cyborg gazes into a shifted past. A decommissioned nuclear reactor is turned into an all-inclusive amusement park in the Lower Rhine region. There is still no final repository for highly radioactive waste in Germany, but “how should those who come after us be warned? Isn’t there also a right to forget?”
by Juliane Jaschnow (Director), Stefanie Schroeder (Director) Germany 2025 German 19' Colour World premiere | Documentary form

Crew

Directors Juliane Jaschnow, Stefanie Schroeder
Cinematography Juliane Jaschnow, Stefanie Schroeder
Editing Juliane Jaschnow, Stefanie Schroeder
Music Shoï Lorillard
Sound Design Juliane Jaschnow, Stefanie Schroeder, Florian Marquardt
Producers Juliane Jaschnow, Stefanie Schroeder
Co-Producer Kathrin Lemcke

Produced by

Juliane Jaschnow & Stefanie Schroeder

Leipzig, Germany

Co-produced by

PARA FILM GbR

Leipzig, Germany

Juliane Jaschnow

Juliane Jaschnow is an artist and filmmaker. Her work focuses on contemporary and historical visual politics as well as collective narratives, memory processes and their identity-forming dimension. Her works have been shown in various exhibitions and at international media arts and film festivals. Jaschnow is part of the Leipzig film initiative FILZ and a co-founder of the .mpeg art space.

Filmography (selection)

2014 Die Angst des Wolfs vor dem Wolf (The Wolf Fearing the Wolf) 2015 ['d℧ŋkl''dɔɪ̯ʧlant]; co-directed by Stefanie Schroeder 2017 Die Wirkung des Geschützes auf Gewitterwolken (The Effect of Cannonry on Thunderclouds); co-directed by Stefanie Schroeder 2019 Rekapitulieren 2026 Warnungen an die ferne Zukunft (Warnings to the distant future); co-directed by Stefanie Schroeder, Forum Expanded 2026

Bio- & filmography as of Berlinale 2026

Stefanie Schroeder

Stefanie Schroeder works with photography and film. She links a documentary approach with strategies of conceptual art and is interested in photography’s modes of use, the concept of work, (mental) transformations of landscape, East Germany, ghost images and spam emails. She is a member of the Leipzig film initiative FILZ and a co-founder of the .mpeg art space.

Filmography (selection)

2014 Ein Bild abgeben (Imaging an Image) 2015 ['d℧ŋkl''dɔɪ̯ʧlant]; co-directed by Juliane Jaschnow 2017 40h, max. 2 Monate · Die Wirkung des Geschützes auf Gewitterwolken (The Effect of Cannonry on Thunderclouds); co-directed by Juliane Jaschnow 2024 LA DUNA; co-irected by Emerson Culurgioni 2025 Cold Call 2026 Warnungen an die ferne Zukunft (Warnings to the distant future); co-directed by Juliane Jaschnow, Forum Expanded 2026

Bio- & filmography as of Berlinale 2026