BRIDES OF ALLAHA women’s prison in Israel. Palestinian women who had planned or taken part in a suicide bombing are held here. The Israeli filmmaker questions the women about the circumstances and reasons for their acts. She gets surprisingly close to them, speaks calmly with them, questions them at their level, without reproach. It is like suddenly getting the opportunity to be face to face with these radical women, getting answers to pressing questions that had seemed nearly impossible to answer. But the Arab women, almost all of them well educated, many of them mothers of several children, don’t really reveal to the camera what lies behind their acts. Nonetheless, the film is a shattering document of the different realities in which people live. The meeting of a young inmate with her four children is as moving as one mother’s separation from her little son, born in prison, who is now being taken to live with the father. One of the women doesn’t wear a headscarf and it seems like some sort of fluke that she landed in this prison. Her thesis is that the women were running away from their problems and that’s why they ended up committing a suicide attack. This film gives no answers. But the questions that it poses linger on in the mind.