Die Zärtlichkeit der Wölfe
Tenderness of the Wolves
Source: Deutsche Kinemathek, © Rainer Werner Fassbinder Foundation
Kurt Raab
Die Zärtlichkeit der Wölfe | Tenderness of the Wolves by Ulli Lommel
BRD 1973, Retrospective
Source: Deutsche Kinemathek, © Rainer Werner Fassbinder Foundation
Friedrich Karl Praetorius, Kurt Raab
Die Zärtlichkeit der Wölfe | Tenderness of the Wolves by Ulli Lommel
BRD 1973, Retrospective
Source: Deutsche Kinemathek, © Rainer Werner Fassbinder Foundation
Kurt Raab (right)
Die Zärtlichkeit der Wölfe | Tenderness of the Wolves by Ulli Lommel
BRD 1973, Retrospective
Source: Deutsche Kinemathek, © Rainer Werner Fassbinder Foundation
In the post-war Ruhr region, Fritz Haarmann, who has a long criminal record, is recruited as a police informant. He uses that to pose as a detective and pick up young boys, offering them a place to stay in his garret – where he proceeds to molest them, kill them with a bite to the neck and dismember their bodies. The meat and sausages he makes from them enhance his popularity in the neighbourhood, a restaurant, and a circle of friends made up of black marketeers, pimps and prostitutes. Police inspector Braun also enjoys the edible gifts he receives from his confidential informant. That is until, while he is on the trail of a missing young man, one of Haarmann’s neighbours gives him a lead …
When he was talking to Ulli Lommel about Kurt Raab’s script and suggested that he direct it as “a thriller with lots of blood”, Rainer Werner Fassbinder pitched the idea as “a combination of Fritz Lang’s M and Hitchcock’s Psycho”. With no interest in the actual historical facts about the real Haarmann, a serial killer executed in 1925, Raab plays him as a combined revenant of Peter Lorre and Max Schreck’s Nosferatu – in a film that references the expressionistic shadows of Weimar-era cinema.
When he was talking to Ulli Lommel about Kurt Raab’s script and suggested that he direct it as “a thriller with lots of blood”, Rainer Werner Fassbinder pitched the idea as “a combination of Fritz Lang’s M and Hitchcock’s Psycho”. With no interest in the actual historical facts about the real Haarmann, a serial killer executed in 1925, Raab plays him as a combined revenant of Peter Lorre and Max Schreck’s Nosferatu – in a film that references the expressionistic shadows of Weimar-era cinema.
With
- Kurt Raab
- Jeff Roden
- Margit Carstensen
- Ingrid Caven
- Wolfgang Schenck
- Brigitte Mira
- Rainer Hauer
- Barbara Bertram
- Rainer Werner Fassbinder
- Heinrich Giskes
Crew
| Director | Ulli Lommel |
| Screenplay | Kurt Raab |
| Cinematography | Jürgen Jürges |
| Editing | Thea Eymèsz |
| Music | Johann Sebastian Bach, Peer Raben |
| Production Design | Kurt Raab |
| Producer | Rainer Werner Fassbinder |
World Sales
Rainer Werner Fassbinder Werkschau GmbH
Additional information
DCP: American Genre Film Archive