The Fountainhead
Source: Österreichisches Filmmuseum, Image courtesy of Park Circus/Warner Bros.
“Do you want to stand alone against the whole world?” Architect Howard Roark is a stubborn individualist. Even after it gets him expelled from university, he refuses to compromise on his modern designs, even when it means his projects will never be built. A newspaper campaign against him seems to spell the end of his career. But the tide turns after he has an affair with the architecture critic Dominique Francon. Roark becomes a much in-demand architect. Even the paper’s publisher, whom Dominique has agreed to marry, changes his tune. However, when one of Roark’s designs is completely mutilated during construction, the architect responds with an act that totally isolates him … Ayn Rand’s roman à clef was a forceful tale, taken to the extreme, of the individual versus society. King Vidor’s film version references Louis H. Sullivan (“form follows function”) and the work of Frank Lloyd Wright. The director’s partisan love of the avant-garde is also reflected in the film’s modern cinematography by Robert Burks. In the book accompanying the 2020 Retrospective, Heinz Emigholz writes that The Fountainhead is an “experimental masterpiece of commercial film”.
With
- Gary Cooper
- Patricia Neal
- Raymond Massey
- Kent Smith
- Robert Douglas
- Henry Hull
- Ray Collins
- Moroni Olsen
- Jerome Cowan
- Paul Harvey
Crew
Director | King Vidor |
Screenplay | Ayn Rand |
Dialogue | Jack Daniels |
Story | Ayn Rand The Fountainhead (1943) |
Cinematography | Robert Burks |
Editing | David Weisbart |
Music | Max Steiner |
Sound | Oliver S. Garretson |
Art Director | Edward Carrere |
Costumes | Milo Anderson, Clayton Brackett, Martha Bunch |
Assistant Directors | Dick Mayberry |
Assistant Director | John Prettyman |
Producer | Henry Blanke |
Produced by
Warner Bros. Pictures, Inc. (A Warner Bros.–First National Picture)
Additional information
Print: Library of Congress, Washington, DC