In the age of globalisation, digitalisation and over 68 million refugees worldwide, questions arise. What, where and when is homeland? What is ‘Leitkultur’ (‘defining culture’)? A leading German politician even advocated the establishment of a ‘Heimat’ (‘homeland’) ministry. Në Mes examines traditional family and patriarchal values and ideas. In rural Kosovo, fathers build identical houses for their sons. These sons live all over the place, anywhere except Kosovo. The houses embody the love, longing and hope of those who stayed at home for those who went to work abroad that they will one day return and settle here again. In practise however, they only ever come back for family celebrations and funerals. Although they feel connected to the homeland and culture of their childhood and youth, they also feel alienated. Do they even want to return? So while the houses are symbols of family equality and unity, they are also castles in the air.