Their names are Tessa, Anaïs, Catia, Manon, Elia, Hugo, Clément. They’re all eleventh-grade students at a lycée in Ivry, an unadorned suburb of Paris, they have puppy fat, voices still squeaky and braces on their teeth. In differing combinations of twos and threes, they swap stories and viewpoints, about their family backgrounds, their relationships with their parents, first loves and dreams for the future, all seemingly unaffected by the presence of the camera. Few of them have anyone to truly confide in at home, making their ability to articulate their emotions with such eloquence and self-reflection and reveal their insecurities, longings, sorrows and fears all the more astonishing. On the cusp of adulthood, they vacillate between stoic composure – that life is hard is a certainty accepted with a shrug – and romanticism; between the desire to be cared for and the anticipation of imminent independence; between earnestness and youthful abandon.
The ephemeral nature of being 17 in this world may be daunting, yet it carries solace too. Solace is also what Claire Simon provides with her tremendously astute and sensitive approach: It is a comfort to know one is not alone after all.
Documentary form100’ · Colour
Born in London. She first worked as an editor, and then shot several short films and documentaries before making her first feature film, Sinon, oui, in 1997. In addition to working as a director and screenwriter, Claire Simon is a cinematographer and actress.Filmography
1976 Madeleine 1980 Tandis que j’agonise 1988 La police 1989 Les patients 1991 Scènes de menage 1992 Artiste peintre · Récréations 1993 Faits divers 1995 Coûte que coûte 1997 Sinon, oui (A Foreign Body) 1999 Ça c’est vraiment toi 2000 800 Kilomètres de différence (Romance) 2002 Mimi 2006 Ça brûle 2008 Les Bureaux de Dieu 2013 Géographie humaine · Gare du Nord 2015 Le Bois dont les rêves sont faits 2016 Le Concours 2018 Premières solitudes (Young Solitude)
Bio- & filmography as of Berlinale 2018
Sophie Dulac Productions