Berlinale: Programme

Film file

Forum Expanded

Popeye Sees 3D


Studying painting with Hans Hofmann had sensitized me to depth phenomena, to strange readings of depth including the most unnatural: flat. In 1964, I learned of the Pulfrich Effect and gained access to wholly illusionistic depth way beyond indication. This led in 1975 to my partner Flo and I beginning to explore the Nervous System, performing with two stop-motion film projectors to superimpose sequential film frames showing different perspectives for extended periods of time. A spinning shutter between projectors activated the compound image onscreen, introducing depths available even to a single eye but strange, uncanny; nuts. In 2000 we switched to digital processes, we patented our discoveries for the new medium and exploration continued, continues. Eternalisms show stereo photographs, their two close perspectives joined via computer to display as a single ongoing dimensional image that can be seen without glasses. Not to be trusted for a moment but interesting. Popeye Sees 3D is a display of some of these images.

Ken Jacobs

USA 2016


21 min · Colour


Ken Jacobs
Director of Photography
Ken Jacobs
Ken Jacobs
Production Manager
Ken Jacobs
Ken Jacobs


Ken Jacobs

Ken Jacobs was born in 1933 in Brooklyn, New York, USA. He studied painting with Hans Hofmann from 1956 to 1957. He started making films in 1955. In 1966, Jacobs founded the Millennium Film Workshop, of which he was the director until 1968. A year later, he started the Department of Cinema at the State University of New York in Binghamton. He taught there from 1974 until his retirement in 2000. Along with teaching cinema, he has made a number of experimental films and videos, which have been shown worldwide.

Filmography (selection)

1955 Orchard Street; 12 min., Forum Expanded 2015 1959 Star Spangled to Death 1963 The Whirled; 27 min. · Blonde Cobra; 30 min. · Baud’larian Capers; 25 min. 1960 Little Stabs at Happiness; 18 min. 1964 Window; 12 min. · The Winter Footage; 50 min. 1967 Air Shaft; 4 min. 1968 Soft Rain; 12 min. · Nissan Ariana Window; 15 min. 1969 Tom, Tom the Piper’s Son; 115 min. · Globe; 22 min. 1975 Urban Peasants; 50 min. 1978 The Doctor’s Dream; 27 min. 1985 Perfect Film; 27 min. · The Winter Footage; 50 min. 1990 Opening the Nineteenth Century: 1896; 11 min. 1991 Keaton’s Cops; 23 min. 1995 The Georgetown Loop; 11 min. · Disorient Express; 30 min. 1999 Flo Rounds a Corner; 6 min. 2002 A Tom Tom Chaser; 10 min. · Circling Zero: Part One, We See Absence; 114 min. 2003 Keeping an Eye on Stan; 117 min. · Capitalism: Slavery; 3 min. 2004 Celestial Subway Lines/Salvaging Noise; 108 min. · Mountaineer Spinning; 26 min. · Star Spangled to Death; 420 min. 2006 New York Ghetto Fishmarket 1903; 132 min. 2007 Let There Be Whistleblowers; 18 min., Forum Expanded 2007 · Razzle Dazzle (The Lost World); 92 min. · Capitalism: Child Labor; 14 min. · Anaglyph Tom (Tom with Puffy Cheeks); 108 min. 2009 What Happened on 23rd Street in 1901; 14 min. 2011 Seeking the Monkey King; 39 min., Forum Expanded 2012 2012 Street Vendor; 6 min. · Cyclopean 3D Life with a Beautiful Woman; 47 min. · Blankets for Indians 3D; 57 min. 2013 A Primer in Sky Socialism; 58 min., Forum Expanded 2014 · Joys of Waiting for the Broadway Bus; 180 min. · The Guests; 73 min., Forum 2014 2014 Pygmalion Cubed; 100 min. · Canopy; 4 min. · Cyclops Observes the Celestial Bodies; 15 min., Forum Expanded 2015 2016 Popeye Sees 3D · Ulysses in the Subway

Produced by

Ken Jacobs
New York, USA
+212 227 3144