The Ballad of Genesis and Lady Jaye is a film about Genesis Breyer P-Orridge, well-known for his work with Throbbing Gristle and Psychic TV, and his life and work partner Lady Jaye (née Jacqueline Breyer). One would expect the film to be about the history of industrial music, about Genesis as a link between the pre- and post-punk era, about the underground scene since the 1970s. And it is, but it tells the story from the perspective of a great romantic love that began in the 1990s. Genesis and Lady Jaye start to undergo surgical procedures to merge into a third being, a pandrogynous being.
The Ballad of Genesis and Lady Jaye is also a film by Marie Losier, a filmmaker whose trademark is to playfully build up a very personal relationship with her underground role models. Kitchen and garden shots alternate with home-movie performances, magic tricks and archival footage. The film maintains its dynamic rhythm – with the help of Genesis’s cut-up narratives – even when Lady Jaye’s unexpected death turns it into a film about mourning. From that point it revolves around the question of how to die when two have merged into one – and how to go on living.